[2017] What We Lose Page 2
But that same vulnerability might have produced an ego in Oscar that would propel him to dominate beautiful women, that would drive him to control a woman as desired and independent—as capable of leaving and being with another man—as Reeva Steenkamp. I chose to believe this story, of the athlete ruined by fame, instead of believing my worst thoughts and fears about my other home country.
From a blog post, “Some Observations on Race and Security in South Africa,” January 6, 2015, by Mats Utas, a visitor to Durban from the Nordic Africa Institute
But how dangerous is it really? We try to investigate. Talking to taxi drivers is interesting. A black South African says that he would never walk around in downtown Durban late at night because of the immanent dangers.* He states that people are frequently robbed [during the] daytime or pickpocketed, but investigating further he has only once in his entire life been pickpocketed and never robbed. Nothing has been stolen from his home in one of the residential townships. An Indian taxi driver complains about the increased insecurity in the city, but he has never been robbed during the twenty years (!) he has run the taxi. Once his house was burglarized and the thief stole his wallet, phone and cigarettes—nothing more. His response was to raise the wall half a meter. The taxi agency he works for runs throughout the night, and although most of the company’s drivers are Indians, the nighttime drivers are black, actually Nigerians: “they are much smarter at night”. When we ask him if they are robbed, he simply says no.*
Kevin Carter was the first professional photographer to document a brutal necklacing execution, in which a victim has a gasoline-soaked rubber tire placed around their neck, and the tire is lit on fire. His photo of a Sudanese child emaciated from famine, struggling to walk while a vulture gazes at her from the background, came to symbolize the desperation on the African continent in the 1990s. Carter, a white South African born to liberal parents, was drawn to the racial conflict going on in the black townships of Johannesburg. According to his friends, he empathized deeply with the plight of blacks under apartheid and experienced tremendous guilt for being a white South African. This guilt, combined with his constant exposure to the atrocities that were part of his job, were reportedly major factors that led him to abuse drugs.
In April 1994, Carter found out that his photograph of the Sudanese child had won the Pulitzer. A few days later, his best friend, photographer Ken Oosterbroek, was killed in the Thokoza township while documenting a violent conflict. Carter had left that scene earlier in the day, and after his friend’s death, he agonized that he “should have taken the bullet” for him. The Pulitzer-winning photograph drew criticism from those who thought Carter should have done more to save the child, as well as from fellow journalists who found him inexperienced and undeserving of the honor.
In July of 1994, three months after his win, he committed suicide by running a plastic hose from his exhaust pipe to the passenger-side window of his truck. In his suicide note, he wrote:
“depressed . . . without phone . . . money for rent . . . money for child support . . . money for debts . . . money!!! . . . I am haunted by the vivid memories of killings & corpses & anger & pain . . . of starving or wounded children, of trigger-happy madmen, often police, of killer executioners . . . I have gone to join Ken if I am that lucky.”
“Some Observations on Race and Security in South Africa,” continued
On the other hand in the game of blame-throwing much negative is given to the Nigerians: they are amongst [the other ones] controlling the drugs trade in the Point area of Durban. When it comes to distrust it is all about categories of difference and appears and almost always in racialized terms. Indians don’t trust the black South Africans, the white blames the black, but also the Indians, the black community distrust the whites. The only thing they appear to have in common is that they all distrust the Nigerians. Is that the basis to build new South African security upon?
To my cousins and me, American blacks were the epitome of American cool. Blacks were the stars of rap videos, big-name comedians, and actors with their own television shows and world tours. Notorious B.I.G., Puff Daddy, Janet Jackson. Martin Lawrence, Michael Jordan, Halle Berry, Denzel Washington. We worshipped them, and my cousins, especially, looked to the freedom that these stars represented as aspirational. It was a freedom synonymous with democracy, with political freedom—with America itself. It was rarefied, powerful.
But when I called myself black, my cousins looked at me askance. They are what is called coloured in South Africa—mixed race—and my father is light-skinned black. I looked just like my relatives, but calling myself black was wrong to them. Though American blacks were cool, South African blacks were ordinary, yet dangerous. It was something they didn’t want to be.
American blacks were my precarious homeland—because of my light skin and foreign roots, I was never fully accepted by any race. Plus my family had money, and all the black kids in my town came from the poorer areas. I was friends with the kids who lived on my block and were in my honors classes—white kids. I was a strange in-betweener.
Yet my parents always spoke of a strong solidarity with black people in Africa. To call themselves something other than black was to take on the divisions of apartheid that grouped them according to skin tone and afforded them unequal privileges to keep them beholden to the state. They had been unfairly segregated, and it was their wish to live outside these divisions. That was something I absorbed, that never left me as the years went by. But when I expressed this desire outside the house, I was met with confusion and, at the worst, hostility.
At a party during my senior year of high school, when my friends and I were just beginning to drink beer and learn how to be ourselves in the company of these new factors—drunkenness, adulthood—I mentioned, as I often did (I fashioned myself as a politically engaged contrarian in my high school years), that I was the only black person at the party.
“But you’re not, like, a real black person,” a white girl named Anabel said to me, smiling, solicitation in her eyes. I felt ashamed, stunned. Uncomfortable, I said nothing, and after that day I never spoke to her again, indignant, but still unsure how to respond.
That the tragic aspects of American blacks’ legacy are largely visible to the rest of the world is something I realized only later. I can quote our poverty rates, our mortality rates, black-on-black crime, and narrate the story of America’s prison system, which churns black men in and out like assembly-line products.
My naïveté, my feeling of rejection, made my identification all the more strong. I only desired to belong, and I idealized this group as one does a storybook character or a superstar, or anything one doesn’t know firsthand yet loves like an old friend.
Fuck the world, fuck my moms and my girl
My life is played out like a jheri curl, I’m ready to die
My mother cautioned that I would never have true relationships with darker-skinned women. These women would always be jealous of me, and their jealousy would always undermine our friendship. She told me to be careful if I ever went into the city, that the rough teenage ones would slash my face with a razor blade. When I fought with a friend, my mother would inquire about her complexion. If the friend was darker, she would nod her head, a look of “I told you so” on her brow.
I asked her how she could have such racist views of women. Weren’t we all sisters?
“That’s just how it is,” she told me blankly.
My mother was a shade darker than me, with almond-shaped eyes and hair that was slightly coarse but straightened out easily with an iron. She was identifiably black, more than I am (I am often mistaken for Hispanic or Asian, sometimes Jewish), but categorically light-skinned. Sometimes people thought she was Spanish too, and dark enough that we often encountered the uncomfortable pause of a white woman in my hometown trying to discern our relationship: mother/daughter or hired help/charge.
My mother’s views imbued my friendships wi
th political importance—if I could maintain a relationship with a darker-skinned woman, I would prove her wrong. And so I pursued these relationships with fervor.
I’ve often thought that being a light-skinned black woman is like being a well-dressed person who is also homeless. You may be able to pass in mainstream society, appearing acceptable to others, even desired. But in reality you have nowhere to rest, nowhere to feel safe. Even while you’re out in public, feeling fine and free, inside you cannot shake the feeling of rootlessness. Others may even envy you, but this masks the fact that at night, there is nowhere safe for you, no place to call your own.
I see you looking at me. I know how you see me.
Aminah had been my best friend since elementary school. Her father was the administrator of continuing studies at the same college where my father taught. Together they were two of only five black faculty, causing them to form an immediate bond out of a shared, slightly traumatizing experience. Aminah and I went to swimming lessons and summer camp together as children; as teenagers we drifted in and out of each other’s orbit at school, but our bond outside of that restrictive environment remained familial. Even if, on the surface, we seemed as dissimilar as possible, a calm, unshakable current of love always ran just underneath.
Aminah was a preternatural beauty. With long, jet black hair that sat in perfectly tame spiral curls, a slight frame, and clear mahogany skin, she fit in easily among the prettiest girls in school. She was mild mannered, though, quietly studious, and kind. She kept her stubborn streak expertly disguised. I always had a hard time maintaining any semblance of togetherness, from my hair to my clothes to my opinions that always seemed to make themselves known in the worst company at the worst possible moments. I had the feeling that I embarrassed Aminah, so I saved her the trial of having to reject me socially by leaving her alone at school.
It felt like a foregone conclusion when one of the boys in our class fell in love with Aminah—one of the handsome boys from a good family who owned a lake house in one of the fancier vacation towns upstate. His name was Frank.
At first, there were rumors of tension because Aminah was black and Frank was not just white but a WASP, and his family had the type of standing that a black girlfriend could tarnish. At first, Aminah told me, Frank’s family didn’t invite her to the house, even though they had tea with his older brother Paul’s girlfriend every Sunday afternoon.
The story that wasn’t told was that Aminah’s family members were just as wary of the union as Frank’s, because even though they were now bourgeois, Aminah’s father had been an activist and agitator back in the day, just like my parents, and they always hoped—assumed—that her looks and education meant she would have her pick of suitors, and that pick would be black, just like her.
Over time, these tensions soothed into the background, and Aminah and Frank became one of the envied couples at our high school, leaving room for all the other relationship tensions to resume their rightful place in the foreground.
I started listening to hard rock music with emotional lyrics, like my friends. We didn’t have cable, so I spent hours at their houses after school, watching music videos on MTV and clearing their pantries of sugary snacks. My parents would never buy snacks, because they were too practical and too busy for anything more than three meals per day. “Snack” was a word that never entered their vocabulary. On weekends, I would take the commuter train into the city, sit in coffee shops, and smoke cigarettes while reading old paperbacks. I told my parents I was going to the central library branch downtown to study, which was partly true. I was studying for my grown-up life, the one I would have when I finally left their house.
Most of my friends were school nerds, but some of them also had piercings and tattoos. My friend Fiona had green hair. My mother liked her the least of my other friends, whom she called freaks. I told my mother, with practiced cool, not to be so dramatic. The few times I tried this, it made her boil over.
I never got up the courage to color my hair, but I often let it go curly and wild, refusing to straighten or restrain it from the natural way it fell on my head. I had the nerve to like my hair just the way it was. My mother called me untidy. “I don’t know why you do this to yourself,” she said, huffing and rolling her eyes. What she meant was, why do you do this to me? My self-expression obviously caused her pain. From the time I was five until high school, she dragged me to the hairdresser every two months to have my hair chemically straightened. She insisted, explicitly and implicitly, that straight hair was beautiful, and the kind she and I were born with—kinky, curly, that grew up and out instead of down—was ugly.
“That’s what a pretty girl looks like,” she told me when I came home from the hairdresser, my hair shining, my scalp in ravages. Only the thought that my mother would find me beautiful—the anticipation of her approval and the peace it would bring—would comfort me through the pain the next time I sat in the hairdresser’s chair, to have it done to me all over again.
My high school boyfriend took me to prom in his beat-up hatchback Toyota. He was decidedly unspectacular—a C student who went on to a local university and dropped out after two years. He never left his small storefront apartment in our hometown. But he was handsome, with a strong, square jaw, sinewy arms, and smooth brown skin. He was polite, but with a bit of edge and tastes that ran toward the alternative, the slightly dark. We met in art class.
When I finished dressing, he was downstairs in the living room, talking to my father. They were like a teen movie come to life, my father with his chest out, protectiveness personified, and Jerome shrinking in his tuxedo, visibly nervous. “You look beautiful,” Jerome said, sighing, when I came downstairs. In my head, I wondered at how my movie scene felt complete.
We never had sex, because I was too afraid and I wasn’t in love with him. I was still young, and in my mind sex and love were inextricably linked. A few months into our relationship, I had my college acceptance in hand and began to dream about the handsome, worldly boys with whom I would be able to discuss literature and obscure music. I imagined how easy sex would be with them, how natural and adult it would feel, as opposed to what felt like a struggle between my desire and better judgment with Jerome.
But he made my parents happy in a way that I could never approximate on my own. When I was with him, a piece of me was in place, and I was a whole, acceptable human being to my mother. I was in some ways normal, and they could be happy for that. When Jerome and I broke up, it took me months to tell my parents. I would lie to them and tell them I was going to meet him when I was planning to see my girlfriends. After I revealed the split, my mother still asked about Jerome.
“He’s leaving college,” I would say.
“But he was so nice,” my mom would say.
My college was four hours away by train, up in New England, one of the top places in the country. When I was accepted, no one was surprised—I was always known as a brain—but there was a renewed interest in me, both positive and negative. My teachers smiled at me in the hallways. A few from junior high made the mile-long trek to my high school to congratulate me. The white students who were disappointed in the admissions process—who ended up with their last pick, or somewhere low on their lists—were envious. Some started ignoring me, rolling their eyes, or snickering as I walked by. Two students went so far as to question me outright, calling me an affirmative action baby. It was always something besides that I was simply better than them. Anything but that I was better than them.
At college, at least I didn’t have to deal with the problem of being exceptional. Everyone was exceptional in some way. Almost everyone was smart, and the ones who weren’t were either amazing athletes or super rich—celebrities, aristocrats, or children of celebrities.
I flitted in and out of various groups—black kids, artsy kids, and, for a brief time, stoner kids. I never settled on one group, because I was preoccupied with what was going on in my family. Between that
and my studies, I had no room for close friends.
Instead, I stayed close to Aminah, who was in New York studying literature at NYU. I was proud because I recognized for the first time her desire to be independent, the way she was drawn to a life outside of the one she seemed so comfortable leading in our hometown. It was most likely this choice that encouraged me to keep in touch with her after we had moved out of our parents’ houses, that made me call and ask if I could sleep on her floor when I visited New York for a weekend concert, that led me to send e-mails and ask about her new life in the big city. That, in our first few years out of our respective nests, made us friends, not just sisters.
When Aminah left for NYU, Frank headed to Georgetown, and after never being apart for more than a night, they were five hours away from each other with little opportunity to visit. But somehow they seemed more blissfully in love than ever, and I realized that the divergence between our love lives—which had begun in high school—would be permanent.
I met Devonne in my first year at college. Fresh out of my monochrome hometown, where white was right and everything black was wrong, stupid, and ugly (I was a nonentity), I felt like meeting her was a coming-home. She was intelligent, fierce. She wore her hair in neat dreads. She wore horn-rimmed glasses, starched men’s shirts, and designer loafers. She was sharp.